ROLES

Production Manager

As Production Manager I oversee the quality and delivery of the production. This has involved creating technical riders for shows, coordinating with venues on requirements and carrying out risk assessments. This role requires me to be able to balance the big picture and detail work, ensuring all priorities are managed. It also means doing all the parts nobody else can/will, so I am very good at getting stuck in to help practically, as well as performing the role from distance. I have also managed budgets as a Production Manager, working with all departments to keep the show spend on track. I have a Health and Safety certification from Safety Pass Alliance.

CREDITS:

Groove - Outbox Theatre - Oxford House London & Contact Manchester

Fashion Spies - Quick Duck Theatre - Edinburgh Fringe 2022 & Previews

Confetti - Quick Duck Theatre - Edinburgh Fringe 2022 & Previews

Megalith - Mechanimal - Edinburgh Fringe 2022 [consulting]

Yours Sincerely - Quick Duck Theatre - Spring Tour 2022

Nearly Human - Perhaps Contraption - Vault Festival 2020

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Stage Manager

As Stage Manager I coordinate between the creative teams to practically deliver the production. I have previously created rehearsal schedules, managed time sheets, run production meetings and overseen company welfare. This requires me to have good time management and negotiation skills, as well as being approachable for any member of the production. I have also run rehearsals and mentored work experience students in this role. I have completed a training course on Inclusion in the Arts and Culture Sector, and making work that is accessible to both creatives and audiences alike is very close to my heart.

CREDITS:

Taking Steps - Women & Theatre - Patrick Studio, Birmingham Hippodrome

Side FX - Guildhall School of Musical and Drama - The Pit, the Barbican Centre

Signal Fires - Fuel - Outdoors, Dartington Estate

Navajos - Tobacco Factory Young Theatre Makers - Tobacco Factory Theatres

Minor Disruptions - Katie Paterson - Edinburgh Fringe 2019

Into the Unknown - Pentabus - The Courtyard, Hereford & Hive, Shrewsbury

Magic Hour - Quick Duck Theatre - The Night Owl, Birmingham & NSDF, Leicester

About A Bird - Reset Theatre - MAC, Birmingham

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Technical Stage Manager

As Technical Stage Manager I oversee all the technical elements of a production and ensure that quality is maintained for every performance. Mostly working in this role whilst on tour I am highly skilled at relighting, reprogramming and sound installation. I have experience working on all scales of production, from 3 desk lamps and a Qlab file, to a 30 fixture rig with 5 speaker set up. Often in this role I am also responsible for operating the show too, and am extremely capable of operating both lighting and sound on complex shows. I have operated 270 lighting cues in 50 minutes to original music, as well as cues to fights and dance choreography. I volunteer on the sound and broadcast team at my church so also mix live sound and operate cameras.

I can use all ETC desks, Zero 88 desks and Jesters, as well as being able to work at heights, rig and do basic rewiring.

I can use most digital and analogue sound desks, as well as Ableton and Qlab.

I also have experience with projection through Qlab and basic pyros.

CREDITS:

Groove - Outbox Theatre - Oxford House London & Contact Manchester

The Nobodies - Chalk Line Theatre - UK & International Tour 2021

Moist Moist Moist - Chris White - Pleasance Theatre, London

King Arthur - The Last Baguette - Outdoor Summer Tour 2021 & 2022

The Wolf, The Duck and The Mouse - New Perspectives - Unicorn Theatre & Rural Tour

trade - New Perspectives - Autumn Tour 2019

Nearly Human - Perhaps Contraption - Edinburgh Fringe 2019

Bitch Ball - Crystal Bollix - Upstairs at the Western, Leicester

Queer Trilogy - Brutal Bliss - Drayton Arms, London

Hearing Things - Playing ON - Omnibus Theatre, London

The Fishermen - New Perspectives - Arcola Theatre, London

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Deputy Stage Manager

As Deputy Stage Manager I run the rehearsal room, technical rehearsal and call the show's cues. I have minuted production meetings, created rehearsal and show reports and begun setting and running lists for other members of the team. I have called lights, sound and fly cues, as well as a mix of calling and operating. I am extremely good at creating the book, in such a way as I can pass the production on to someone else if needed.

CREDITS:

Five Children and It - Bucket Club - The Egg, Theatre Royal Bath

Nell Gwynn - Oxford Playhouse 17|25 Young Company - Oxford Playhouse

Yours Sincerely - Quick Duck Theatre - VAULTS Festival 2019

Crossings - Pentabus - Touring

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